Description
The Pantheon is the best preserved building from ancient Rome. Its magnificent dome is a lasting testimony to the genius of Roman architects and as the building stands virtually intact it offers a unique opportunity for the modern visitor to step back 2,000 years and experience the glory that was Rome.
The Pantheon was built on the exact site of two earlier Pantheon buildings, one commissioned by Marcus Vipsanius Agrippa and the second by Domitian. The first was destroyed by fire in 80 CE and the second was struck by lightning in 110 CE and again burned down. The third Pantheon was probably begun in the reign of Trajan and was finally finished when Hadrian was emperor.
Following Hadrian’s usual practice of dedicating rebuilt buildings and monuments in honour of the original dedicator, the Pantheon is dedicated to Marcus Agrippa and the prominent inscription on the porch façade reads: M. AGRIPPA L.F. COS TERTIUM FECIT (Marcus Agrippa, son of Lucius, three-time consul, made this). Below the main inscription is a smaller one indicating the restorations carried out by Septimius Severus and Caracalla in 202 CE and reads: pantheum vetustate corruptum cum omni cultu restituerunt (with every refinement they restored the Pantheum, worn by age).
The building consists of two principal parts - the porch, which is very Classical Greek in presentation, and the circular main building which is much more Roman in style and reminiscent of the architecture of the large Roman baths. The circular building is built with brick and concrete but was originally faced with white marble stucco to match the porch in appearance. The dome is concrete with the external surface originally covered in sheets of bronze but these were removed by Constans II in 663 CE.
The monolithic column shafts are in Mons Claudianus and Aswan grey granite with the bases and capitals in white Pentelic marble. The pediment above the columns is now empty but drill holes suggest there was originally an emblem of some sort, possibly an eagle or wreath which would have been in gilded bronze and symbolised Jupiter. The porch was faced with white Pentelic marble and is decorated with reliefs showing objects used in religious sacrifices.The Pantheon is the best preserved building from ancient Rome. Its magnificent dome is a lasting testimony to the genius of Roman architects and as the building stands virtually intact it offers a unique opportunity for the modern visitor to step back 2,000 years and experience the glory that was Rome.
The Pantheon was built on the exact site of two earlier Pantheon buildings, one commissioned by Marcus Vipsanius Agrippa and the second by Domitian. The first was destroyed by fire in 80 CE and the second was struck by lightning in 110 CE and again burned down. The third Pantheon was probably begun in the reign of Trajan and was finally finished when Hadrian was emperor.
Following Hadrian’s usual practice of dedicating rebuilt buildings and monuments in honour of the original dedicator, the Pantheon is dedicated to Marcus Agrippa and the prominent inscription on the porch façade reads: M. AGRIPPA L.F. COS TERTIUM FECIT (Marcus Agrippa, son of Lucius, three-time consul, made this). Below the main inscription is a smaller one indicating the restorations carried out by Septimius Severus and Caracalla in 202 CE and reads: pantheum vetustate corruptum cum omni cultu restituerunt (with every refinement they restored the Pantheum, worn by age).
The building consists of two principal parts - the porch, which is very Classical Greek in presentation, and the circular main building which is much more Roman in style and reminiscent of the architecture of the large Roman baths. The circular building is built with brick and concrete but was originally faced with white marble stucco to match the porch in appearance. The dome is concrete with the external surface originally covered in sheets of bronze but these were removed by Constans II in 663 CE.
The monolithic column shafts are in Mons Claudianus and Aswan grey granite with the bases and capitals in white Pentelic marble. The pediment above the columns is now empty but drill holes suggest there was originally an emblem of some sort, possibly an eagle or wreath which would have been in gilded bronze and symbolised Jupiter. The porch was faced with white Pentelic marble and is decorated with reliefs showing objects used in religious sacrifices.